Lorraine Dusky Tackles Underbelly Of Adoption In Newest Memoir - 27 East

Arts & Living

Arts & Living / 1345560

Lorraine Dusky Tackles Underbelly Of Adoption In Newest Memoir

icon 4 Photos

authorAlyssa Melillo on Jun 16, 2015

April 5, 1966. It is a day forever etched in Lorraine Dusky’s mind. It is the day her first and only child was born, a daughter she would surrender to adoption just two weeks later.

Fifteen years of grief and loss passed before Ms. Dusky saw her again. The couple that adopted her had named her Jane. Their reunion led to a loving yet rocky relationship spanning more than two decades, ultimately ending with her daughter’s suicide in 2007.

The tragedy deeply changed Ms. Dusky as a person, informing her newest memoir, “Hole In My Heart,” in ways she had never anticipated. Published on June 3 by Leto Media, the book follows her groundbreaking “Birthmark” in 1979, which chronicled her push to change adoption laws after giving up Jane.

Ms. Dusky, who is a freelance writer for The Press, said she knew she wanted to write another book about her experience with adoption the moment she met Jane, though she began to write it only five years ago after decades of research. The tentative title was “Happy Ending,” she said. It turned out to be more complex than that.

“It’s not pro-adoption. It talks about the problems of giving up and being adopted. And adoption is a small word for the trauma and grief that, being a mother who gives up a child, and being a child given up, causes,” Ms. Dusky said over lunch at Marine Park in Sag Harbor, not far from where she lives with her husband, Anthony Brandt.

“I think there are still a lot of people who see adoption as a good thing, without caveats,” she continued. “For them, the book might be a real wake-up call.”

Hailing from the suburbs of Detroit, Ms. Dusky moved to Rochester to work as a journalist for The Democrat & Chronicle shortly after attending Wayne State University from 1960 to 1964. She was 22 and unmarried when she discovered she was pregnant. In 1965, she quit her job and hid the growing baby from everyone, even her family. It was an unforgiving era for children born out of wedlock.

“I did not feel like I had a choice. People today think of the ’60s as some exotic era when sex, love, drugs, and rock and roll, and getting pregnant should have been no big deal,” she said. “It wasn’t like that at all. It was so shameful. It was so terrible to be pregnant and not married.”

That didn’t mean Ms. Dusky was at peace with her decision, which she described as “preordained.” For six years following, she felt empty. “You know something is missing. You know you did a bad thing.”

But 1972 marked another big change. After stumbling across an article about adoption in The New York Times, Ms. Dusky joined the Adoptees Liberty Movement Association, or ALMA, and launched a nine-year search for her daughter, simultaneously pushing for changes to adoption laws across the country.

During that process, she penned “Birthmark,” landing her on numerous talk shows to discuss her, at the time, controversial views. She was the first woman to publicly start the conversation about adoption—suggesting that birth parent identities should not be kept a secret from adoptees.

The law sealing original birth records—the same one she has fought for decades—still exists today in most states. Next year, New Jersey will open its records, one step toward further reform.

In 1981, it simply hadn’t come. Ms. Dusky resorted to a man they called The Searcher. Whether he was a private detective, judge, social worker, or employee with the FBI or CIA remains uncertain. All she knows is, $1,200 led her to a brief telephone conversation with then-15-year-old Jane.

It was anything but a joy-filled, tearful reunion.

“I had to find out if you knew you were adopted,” Ms. Dusky had told her. “That’s why I made that weird phone call a half hour ago.”

“Uh huh,” Jane had replied.

Meeting face to face three days later in Wisconsin, where Jane lived, proved to be somewhat awkward. Ms. Dusky was nerve-wracked, wondering what to talk to her about. And Jane, she would later find out, was extremely cautious with her actions and words, so as not to offend her father, Gary Rhymer, who supervised the visit.

An unusual relationship was born, Ms. Dusky explained. While Jane didn’t call her “Mom,” they did see each other often, despite living in different states. Jane’s birth father, Patrick Brasley, did not wish to meet her. And not only did Jane grapple with being given up for adoption, she also suffered from epilepsy—one of the more troubling parts of her life and, most likely, a reason for her suicide.

Tearing up behind her dark red sunglasses, Ms. Dusky explained Jane had tried to kill herself several times before.

“Giving up a child is the most horrendous, difficult thing any woman could do. Every fiber of your body is telling you, ‘You have to keep it.’ It’s kind of unknown what’s going to happen to them,” she said. “Adoptees always have feelings of not having control over a situation. They didn’t ask to be adopted. There’s anger, there’s issues of abandonment.”

Today, Ms. Dusky continues her battle to open adoption records and, with the backing of local politicians, she said she is hopeful that change will happen sooner rather than later, as many adoptees often wait for their parents to die before embarking on their journey to find their biological mothers and fathers. In the meantime, she still keeps in touch with Jane’s husband, Bill, and their daughter, Britt, whose name was changed for the book and this article.

Ms. Dusky lost Jane, found her, and then lost her again. In the years since, she has coped. The time not knowing her daughter at all was far worse.

“It was easier to grieve for her dying than it was to grieve about losing her to adoption, because you know what’s happened and you know there isn’t any more you can do for her,” she said. “I can’t imagine my life without her in it. It would have been a sad life.”

Lorraine Dusky will read from her new memoir, “Hole In My Heart,” on Saturday, June 20, at 5 p.m. at Canio’s Books in Sag Harbor. For more information, visit caniosbooks.com. To read Ms. Dusky’s blog, visit firstmotherforum.com.

You May Also Like:

‘Eternal Testament’ Honors Native Artists at The Church

“Eternal Testament,” an exhibition curated by Jeremy Dennis and Meranda Roberts, Ph.D., opens at The Church on Saturday, March 22, with a reception from 6 to 7:30 p.m. The exhibition remains on view through May 21. It reaffirms that Sag Harbor, including the “church” in which it appears, occupies the traditional homelands of the Montaukett and Shinnecock Nations. By featuring works by Native artists regionally and from across the country that incorporate wit, irreverence and playfulness — tools for survival and healing — the exhibition asserts Indigenous presence and sovereignty as artists reclaim space, “temporarily transforming a site of forced ... 8 Mar 2025 by Staff Writer

Celebrate Women’s History Month With a Comedic ‘Moms' Night Out Long Island’ at Bay Street Theater

Long Island comedian Paul Anthony presents the 3rd annual “Moms’ Night Out Long Island Comedy Show” coming to Bay Street Theater on Saturday, March 15, at 8 p.m. The show will feature four headline female comics plus a guest performance by Sag Harbor comedian Ruby Jackson. “We’re very excited to bring back this incredible, iconic show. It has quickly become one of our most popular comedy shows,” Anthony said. “We’re also very proud of the fact that ‘Moms’ Night Out Long Island’ is the only show on Long Island that truly celebrates female comedians. Each performance showcases some of the ... 4 Mar 2025 by Staff Writer

The Suffolk Presents ‘12 Angry Men,’ Its First Live Theatrical Production

This month, The Suffolk presents its very first live theatrical production with three performances of Reginald Rose’s play “12 Angry Men” running March 28 to 30. Directed by Joe Minutillo, the play is set in the sweltering summer of 1958 in Manhattan, where 12 jurors are deciding the life or death fate of a teenage boy accused of murdering his father. Tensions run high as a lone dissenter questions the evidence and the assumptions made by the other jurors, sparking a tense and thoughtful examination of the case. As the jurors deliberate, they confront their own biases, prejudices and personal ... by Staff Writer

A Collaboration 50 Years in the Making at Pollock-Krasner House

The Pollock-Krasner House and Study Center and the Elaine de Kooning House are partnering to present the installation “Elaine de Kooning x Eric Haze: Memory Image” at the Pollock-Krasner House. Viewings will be held on Saturday, March 15, and Saturday, April 5. The genesis of this exhibition began in 1972, when a 10-year-old Haze and his younger sister sat to have their portrait painted by Elaine de Kooning. While in the studio, de Kooning provided Haze with a set of paints and instructed him in the creation of two abstract canvases. In 2020, long since having established himself as a ... 3 Mar 2025 by Staff Writer

The Art of Eric Dever and Joel Perlman Opens the Bridgehampton Museum's 2025 Season

The Bridgehampton Museum opens its inaugural art exhibition of 2025 with a reception this Saturday, ... by Staff Writer

‘Women in Film’ at Southampton Playhouse

Celebrating International Women’s Day, which is March 8, this weekend, Southampton Playhouse presents a “Women in Film Screening Series.” On Sunday, March 9, and Wednesday, March 12, at 6 p.m., the theater will offer a 25th anniversary screening of “Erin Brokovich,” Julia Roberts’ Oscar-winning turn as the real-life environmental activist who exposed groundwater contamination in Hinkley, California. Director Steven Soderbergh created a crowd-pleaser out of Brokovich’s relentless efforts to get at the truth behind the poisoning of an entire community. On Saturday, March 8, at 2 p.m. and on Tuesday, March 11, at 6:30 p.m. the Playhouse screens Agnes Varda’s ... by Staff Writer

‘Shirley Chisholm: Unbossed and Unbowed,’ Ingrid Griffith’s One-Woman Show, at LTV

The Playwrights’ Theatre of East Hampton at LTV Studios will present “Shirley Chisholm: Unbossed and ... 2 Mar 2025 by Staff Writer

SIFM Welcomes Sirena Huang and Chih-Yi Chen

Shelter Island Friends of Music hosts its second concert of the 2025 season on Saturday, ... by Staff Writer

A Talk on Bridgehampton's Literary Legends

This spring, the Bridgehampton Museum and Canio’s Books are presenting a new lecture series highlighting ... by Staff Writer

The Hamptons Festival of Music Announces Its 2025 Season

The Hamptons Festival of Music (TH·FM) has unveiled its upcoming 2025 Mainstage Season, marked by a new chapter for the organization. This year, TH·FM will make its home at the historic St. Luke’s Episcopal Church in East Hampton Village, where a trio of curated performances will take place. The 2025 season features three concerts showcasing a range of classical works. Under the direction of the festival’s artistic director, Maestro Michael Palmer, the New American Sinfonietta will perform music by Prokofiev, Barber, Mozart, Cimarosa, Berlioz and Beethoven. Associate conductor Logan Souther will lead a concert of works by Stravinsky, Mozart and ... by Staff Writer