Artist Rachel Sard Lets the Oils Choose the Subjects of Her Paintings - 27 East

Magazines

Magazines / 2273679

Artist Rachel Sard Lets the Oils Choose the Subjects of Her Paintings

icon 3 Photos

"Luneria," by Rachel Sard.

Rachel Sard with some of her hyper-realistic paintings of ordinary objects.  JASON MANDELLA

Rachel Sard with some of her hyper-realistic paintings of ordinary objects. JASON MANDELLA

"Stones," by Rachel Sard.

Amanda Olsen on Jul 17, 2024

Rachel Sard’s hyper-realistic paintings of ordinary objects take on an otherworldly quality the longer you observe them.

Sard, who lives and works in Riverside, Connecticut, often draws inspiration from nature, allowing the shapes and colors of natural objects to blend into a larger whole. The subjects — stones, onions, oysters — are piled and scattered, depicting textures and colors to the point of abstraction. They are made more of palettes and patterns than individual parts.

And, yet, the subject, whether animal, mineral or vegetable, is treated with reverence. No detail is spared. Thus, we can enjoy any one corner of the painting as well as any other.

Sard holds both a Bachelor of Fine Arts from Washington University in St. Louis and a Master of Fine Arts from the New York Academy of Art, and has exhibited in venues such as The Brooklyn Museum, Flowers Gallery, and the Stamford Museum and Nature Center, where she had a solo exhibition, “Rachel Sard: Insofar.” One of her works is part of the permanent collection there.

While she has always been interested in making art, Sard said she didn’t meet her chosen medium until she was an undergrad.

“I’ve always been interested in making art but actually didn’t discover oil painting until college. I took an elective and fell in love with the medium,” said Sard.

As part of her process, Sard often lets the oils decide what subjects she will feature in her work, choosing what to paint based on whether it will allow her to work the way she likes. “My main inspiration is the paint itself. I love working with oil paint, and I select most of my subjects for the opportunities they afford me to use paint in the ways I enjoy most.”

Of course, Sard is influenced by the work of other artists, including Aleah Chapin and Alyssa Monks. Chapin’s portrait work and fine textures and Monk’s deft manipulation of the oils leave echoes in Sard’s earlier work, especially her paintings of animals and people.

Sard also has explored other mediums: “I’ll always return to drawing, and I do dabble in photography … but, mainly, oil paint.”

When asked which piece in the upcoming show was her favorite, Sard copped to recency bias and picked her most recent work. “The one I’m working on now — and will continue to work on down to the wire — is a large painting of a herd of sheep. It’s challenging and fun. But it’s not finished yet, so you’ll have to come to the show to check it out!”

While the show at the library is focused on realism, Sard also paints abstracts and portraits, showing a breadth of talent and a deep understanding of her subject. She expects to change up her style after this, returning to a more abstract run of paintings before coming back to realism again.

“Whenever I’ve read a lot of nonfiction I always have to take a break and read some fiction, and vice versa,” she said. “It’s sort of like a palate cleanser. Likewise, when I finish a very detailed representational piece, I find myself itching to do something looser and more abstract — a palette cleanser!

“So I’ll probably take a little break for that, but then I do have another realism show in the winter I’ll need to work toward,” Sard said.

The most cohesive aspect to Sard’s work thus far is earth-toned palettes with touches of color. “I almost always work with the same palette. I rarely feel compelled to deviate or bring in new colors. But I generally love sneaking hints of pale violet into swaths of canvas that are mostly earth tones.”

The Art Gallery at Quogue Public Library is presenting the works of Rachel Sard in a show titled “Rachel Sard: Albeit.” The show runs through August 7. Her artist’s reception is Wednesday, July 17, from 4 to 6 p.m. The Quogue Library is located at 90 Quogue Street in Quogue Village.

The gallery has special light-diffusing windows and a central bench where guests can sit and appreciate the works.

Volunteers from the community form the Art Gallery Committee. They search out local East End talent and host exhibitions throughout the year.

You May Also Like:

Travels With Hannah: Winter Foodie Tour of Boston Never Disappoints

We pulled up to the hotel as dark was just approaching. Boston Common had come ... 16 Apr 2025 by Hannah Selinger

Hamptons Civil Rights Back Story Tour Reveals Hidden History

In a region often associated with celebrity sightings and beachfront mansions, a digital experience is ... by J.D. Allen

Three Barns Make a Unique Home in Peconic

A Brooklyn family is now living in their dream home, nestled up in the scenic ... by Julianne Mosher

Pizza — by the Slice — Returns to Sag Harbor

Growing up on Long Island, there are culinary certainties you can count on: great bagels, ... by Staff Writer

From Farm to Table: CSA Options Grow on the North and South Forks

The East End of Long Island is prized as a place to live and visit ... by Staff Writer

'Radically Reimagining' Sustainable Design at Oza Sabbeth

Several years ago, Nilay Oza and the rest of the team at Oza Sabbeth Architects ... by Cailin Riley

Strong's Marine Continues To Thrive and Grow After 80 Years in Business

Over the last two decades, multi-generational family businesses have become somewhat of a dying breed. ... by Cailin Riley

An Ode to Roses

For a flower found so abundantly across the chapters and verses of great literature, it’s ... by Christine Sampson

Monte's at the Manor Continues Legacy of a Classic Montauk Family

Paul Monte has always been drawn to places with a rich history. So when the ... by Cailin Riley

P.J. Monte, aka 'The Sauce Boss' Is the Perfect Ambassador for the Family Brand

Most people would not consider a windswept ocean beach or a wide open cattle field ... by Cailin Riley